In a notebook in Keokuk, IA, my husband’s great-grandmother inventoried her spoon collection. The symmetry of the columns, the loopy cursive text, the alphabetized words, the dark blue ink on the light blue lines of faded notebook paper all come together to make this more of a drawing than a document.
Jan 31, 2012
Jan 29, 2012
Jan 17, 2012
hello human
Despite the fact that my dog has several things to lie on in the studio, this happens whenever I pull out canvas.
A friend recently asked if I get the post-show blues. Yes, I do.Today I pick up the work at The Dixon. When the curator emailed last week to schedule a time I jokingly asked if I could keep it up a bit longer. I figured it couldn’t hurt to ask.
As I was preparing for this show I was focused on the drop-off deadline and the opening. Beyond that I didn’t have many expectations. At every turn I have been surprised and blown away at the ripple effect it’s had. Mainly, this exhibit has given me the opportunity to show my work to a wide variety of people. For example, one afternoon I met a University of Memphis painting class to talk about process, which is something I love to do. (I use to have terrible fear and anxiety around putting words to all of this, but now that I have a clearer idea of what I’m trying to say, you can’t shut me up!) When we all arrived at the museum, the space was full of middle school students huddled around different pieces with clipboards, paper, and pencils drawing MY work. I felt a huge wave of gratitude as I stood there watching everyone chatting, pointing, and drawing. These kinds of interactions between the community and art don’t happen in galleries as much as they do in museums. They just don’t. So thank you, Dixon! Thank you! Thank you!
It’s true, I do have a bit of the post-show blues. Stretching a new batch of canvases helps, as does having an adorable creature around doing adorable things. I’m curious how the ripple effect of these past few months will show up in this new batch of work. Surely it will. Onward we go!
Jan 3, 2012
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